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Louise Reader

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Description
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.  
Pages
527 pages
Collection
n.c
Parution
2024-01-20
Marque
Palgrave Macmillan
EAN papier
9783031321597
EAN PDF
9783031321603

Informations sur l'ebook
Nombre pages copiables
5
Nombre pages imprimables
52
Taille du fichier
20900 Ko
Prix
252,14 €
EAN EPUB
9783031321603

Informations sur l'ebook
Nombre pages copiables
5
Nombre pages imprimables
52
Taille du fichier
19763 Ko
Prix
252,14 €

Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada.


Brenda Ayres teaches online courses for Liberty University and Southern New Hampshire University, USA.


Maier and Ayres have coedited several collections of essays. The most recent are Neo-Victorian Things (2022), Neo-Disneyism (2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (2022), A Vindication of the Redhead (2021), Neo-Victorian Madness (2020) Neo-Gothic Narratives: (2020), Animals and Their Children in Victorian Culture (2019), and Reinventing Marie Corelli (2019).  


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