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Description

The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf’s identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf’s identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf’s identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown.
Pages
264 pages
Collection
n.c
Parution
2025-09-26
Marque
Palgrave Macmillan
EAN papier
9781137501547
EAN PDF
9781137496249
Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
26
Taille du fichier
12308 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
126,59 €
EAN EPUB
9781137496249
Informations sur l'ebook
Nombre pages copiables
2
Nombre pages imprimables
26
Taille du fichier
717 Ko
Ce livre est accessible aux handicaps Voir les informations sur l'accessibilité
Prix
126,59 €

Renée Ward is a Senior Lecturer of Medieval Literature in the School of Humanities and Heritage at the University of Lincoln, UK. She co-edited The Arthurian World (Routledge) and also co-edits The Year’s Work in Medievalism, the journal of the International Society for the Study of Medievalism.

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